The Living Stage

The Living Stage combines stage design, permaculture and community engagement to create a recyclable, biodegradable and edible performance space.
The Living Stage combines stage design, permaculture and community engagement to create a recyclable, biodegradable and edible performance space.

The Living Stage is a living, breathing, edible stage. Combining stage design, sustainability, permaculture and community engagement,  The Living Stage is a recyclable, biodegradable and edible performance space. Part theatre and part garden, The Living Stage features garden walls, suspended pots and portable garden beds with edible plants, and is the brain-child of stage-designer, Tanja Beer who collaborates with local permaculturlists around the world to build ‘living’ stages that are specific to site and community. Since making its debut at the 2013 Castlemaine State Festival (Australia), The Living Stage has successfully travelled across the world. The Living Stage considers ecological principles, and environmental impact as opportunities rather than constraints: ethics that can illuminate, and be integral to aesthetics. It’s all about making ecological sustainability fun and inviting audiences to have a  ‘nibble at the stage’.

Moving beyond recycling and efficiencies, The Living Stage considers how scenographers can engage with communities to play a central role in environmental advocacy and education.  The project explores the role of the stage designer as an activist and facilitator of change in a world of increasing global food security.

The Living Stage, Castlemaine, 2013

In 2013, The Living Stage set out to test a novel concept of sustainability for the Performing Arts using the platform of the 2013 Castlemaine State Festival. Part theatre and part garden; it featured vertical garden walls, suspended pots and portable garden beds each culturing edible plants. The structure was created by the rural community of Castlemaine under the guidance of stage designer Tanja Beer and permaculturalist’s Hamish MacCallum and Sas Allardice. The Living Stage acted as both a venue and inspiration for a number of local performance groups whose brief was to create experimental works that drew on the concept of regeneration, and interacted with the unique design that surrounded them. At the end of the Festival, The Living Stage was consumed by the community; its physical structures became their garden beds, its plants became their food, and its waste became their compost.

For more information about the project, please check out the following links for film and press.

The Trans-Plantable Living Room, Cardiff, 2013

The Trans-Plantable Living Room is an outdoor, community-grown, edible ‘living’ room space based on the original Living Stage concept. Combining permaculture, story-telling, stage design and performance, the Trans-plantable Living Room brought together artists, gardeners and growers, both internationally and locally to perform in September 2013. The Trans-Plantable Living Room hosted interactive performances by international performance collective Plantable  (Lisa Woynarski, Bronwyn Preece and Megan Moe Beitiks) underneath a tree in Bute Park behind the Royal Welsh College of Music and Drama, as part of World Stage Design festival and in London at Central School of Speech and Drama.

The ‘living’ room design included household items and furniture (sourced from car yard sales) and adapted to grow plants. The creative process was a collaboration between an international group of artists and community groups. A network of Cardiff based gardeners grew plants for the space, coordinated by Sam Holt of Riverside Community Allotments. The oral history interviews investigated personal narratives about gardening in Cardiff: why people garden, how gardening practices have changed over time and what role they see local, small-scale food production taking in providing food in today’s fast-changing world. Ideas unearthed in workshops and interviews were woven together by Plantable Performance Research Collective, to create an immersive, interactive performance.

“With farmers and growers fighting against the struggles of climate change, bees and birds struggling to deal with intensive agricultural methods and society being so disconnected from the food they eat, the project is a fantastic and alternative approach to addressing the country’s growing issues” (Permaculture Magazine UK 2013)

For more information about the project see our film or read about the project experience and see Nigel Pugh’s amazing photos

The Living Stage NYC, New York 2017

The Living Stage NYC explores how community engaged performance spaces can foster dialogue and build social capital. The Living Stage is a global initiative which combines stage design, horticulture and community engagement to create recyclable, biodegradable, biodiverse and edible performance spaces. The Living Stage NYC took place in Meltzer Towers Courtyard on the Lower East Side of Manhattan in collaboration with a vibrant cohort of linguistically and ethnically diverse seniors, fifth graders and gardener-residents. Over the course of six weeks, the asphalt lined park was transformed into a space of lush greenery along with vibrant art installations and eclectic performances that celebrated the community’s identity and potential.

Project Collaborators
Lead Artist/Designer: Tanja Beer
Co-producer/Project Director: Superhero Clubhouse
Co-producer: University Settlement
Co-designer: XDEA

Video and Photos
Dylan Lopez

For more information about the project see our film or read about the project experience.

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